In the film adaptation of The Mortal Instruments series, the relationship between Jace and Clary is a central plot point that undergoes a significant twist. Unlike in the books, where the revelation is saved for the third installment, City of Glass, the movie takes a different approach. In the film, the truth about Jace and Clary’s supposed sibling relationship is revealed much earlier.
During a pivotal scene in the movie, Hodge, a former Shadowhunter turned prisoner, discloses to Clary that Valentine, the main antagonist, intended to deceive both Jace and Clary into thinking they were siblings. This revelation comes as a shock to both characters and to the viewers, as it completely changes the dynamic of their relationship.
Prior to this revelation, Jace and Clary believe themselves to be brother and sister. This belief, instilled in them by Valentine, contributes to the internal conflict and emotional turmoil they experience throughout the story. It adds a layer of complexity to their connection and creates obstacles to their romantic feelings for one another.
The decision to reveal this twist earlier in the film adaptation may have been made to heighten the drama and increase the stakes for the characters. By knowing the truth about their relationship from the start, the audience becomes more invested in Jace and Clary’s journey, as they navigate the revelation and grapple with their conflicting emotions.
It is worth noting that this deviation from the original source material may have been a creative choice by the filmmakers to streamline the plot and maintain a faster pace for the movie adaptation. While some fans of the book series may have been surprised by this change, it certainly added an extra layer of intrigue and suspense to the film.
In the movie adaptation of The Mortal Instruments series, Jace and Clary are not actually siblings as they were led to believe. This revelation comes earlier in the film than in the books, and it significantly impacts the dynamics between the characters and the overall narrative.